Devin Jernigan

Devin Jernigan

Teaching

Devin Jernigan teaches architectural history and theory, design, and digital methods. He starts from where each student is, listens for what they are trying to do, and gives the advice that particular project needs, whether that is a source, a technique, or a harder question. His studio briefs open with a question rather than a program: whether a bath house in the Montana backcountry can run on its own hot spring, age gracefully for a hundred years, and keep its mystery; or how a paradox from logic, set against a social data set, might shape a column. In his Montana State studios, students moved between cast porcelain, CNC-milled site models, photogrammetry, and rendering, switching whenever one of them stalled. At Yale he leads discussion sections in Introduction to Urban Design and in Eeva‑Liisa Pelkonen’s Architecture and Modernity: Sites and Spaces, where students read the large forces of modernity through single cases, from Mexico City in Alfonso Cuarón’s Roma to a 1984 Swiss manual for building civil-defense shelters. His Penn seminar follows the traveling circus while each student traces a mobile practice of their own: livestock driven to market, traveling televangelists, the rise of séance culture in Victorian England. The cases change from one course to the next; the question each student pursues stays their own.

Featured course · Fall 2026

Course header map: two circus routes through Nebraska in July 1900, drawn with audience catchment circles over an 1885 county map
Gollmar Bros. and Forepaugh‑Sells, Nebraska, July 1900, twenty‑one miles apart.

Cartographies of Mobility: The American Traveling Circus and the Production of Landscape

LARP 7201 · Concepts in RepresentationUniversity of Pennsylvania, Department of Landscape ArchitectureGraduate elective seminar

Landscapes are produced by movement as much as by settlement, and this seminar tests that claim with maps. Its case is the American traveling circus, which put up a city of canvas each morning and took it down by midnight in a new town each day. Half the seminar is mapping: georeferencing sources, network and service‑area analysis, and time‑based data. Half is discussion in cartographic history and cultural geography. Each student maps a mobile system of their own and finishes with maps and a 2,000‑word essay. Syllabus available on request.

Courses taught

2026
“Cartographies of Mobility,” LARP 7201
Lecturer, Department of Landscape Architecture, University of Pennsylvania. Designed and taught.
2025–2026
“Architecture and Modernity: Sites and Spaces,” ARCH 3012/7002
Teaching Fellow, Yale School of Architecture, with Eeva‑Liisa Pelkonen.
2024–2025
“Introduction to Urban Design,” ARCH 8001
Teaching Fellow, Yale School of Architecture, with Alan Plattus and Ife Vanable (2024) and Elihu Rubin (2025).
2018–2019
Four design studios, first year to third year
Adjunct Professor, School of Architecture, Montana State University. Arch 151, 254, 355 and 356, and the Rhino and Grasshopper workshop “Paradoxical Supports of Architecture.”
2013–2015
Guest critic and workshop leader
University of Pennsylvania: M.Arch studios with François Roche, and a digital sculpting workshop in Visual Studies.
2011–2012
Undergraduate thesis studio
Visiting Professor, China Academy of Art, Hangzhou.
2010
“Introduction to Architectural Design”
Assistant Instructor, Princeton University, with Lindy Roy.

Invited final review juror

New York Institute of Technology · Montana State University · University of Pennsylvania · Columbia University · China Academy of Art · Princeton University · University of Cincinnati

Student work Arch 356, third-year design studio, Montana State University, Spring 2019

Six students’ projects from the Montana thermal baths studio: final renderings, and 3D scans of the clay site models each student built on a CNC-milled foam base. Names appear with the students’ permission.

Rendering of Grant Dokken’s chronographic building beside a river, Arch 356, Montana State University, 2019
Grant Dokken, chronographic building
Rendering of Elizabeth Graves’s project among trees, Arch 356, Montana State University, 2019
Elizabeth Graves, rendering
Aerial rendering of Audrey Morris’s cave and roof baths at the Sleeping Child hot springs, Arch 356, Montana State University, 2019
Audrey Morris, cave and roof baths
3D scan of Winona Watkins’s clay site model on a milled foam base, Arch 356, Montana State University, 2019
Winona Watkins, site model (3D scan)
3D scan of Rachel Johnson’s clay site model with pools along a looping path, Arch 356, Montana State University, 2019
Rachel Johnson, site model (3D scan)
3D scan of Stingray Engel’s clay site model cut into a milled foam base, Arch 356, Montana State University, 2019
Stingray Engel, site model (3D scan)